BIOGRAPHY
Katharine Kuharic was born in 1962 in South Bend, IN. She completed her BF A in Painting and Drawing at Carnegie Mellon University in 1984, and then moved to New York City where she studied with Louise Bourgeois and Robert Storr at the School of Visual Arts.
Her contemporary allegorical paintings are filled with thousands of details, multiple figures, and complex technique beginning with multi-layered drawings held together with tape and glue. The drawings are meticulously hand-transferred and rendered tonally before the discrete layers of color are applied.
Sexual desire, social and political mores preoccupied her work in the 90’s. The paintings were populated by death heads, flayed flesh, tableaus and timelines of her sexual partners. The paintings were self-portraits in the deepest sense-like life, laddered with cultural and physical experience.
In the 2000’s Katharine Kuharic was drawn to “unsolicited images” and her paintings were responsive to overabundance in American life-fast food, and inflated and collapsing real estate and financial markets. The attendant sources were stickers, diner placemats, frozen dinner boxes, pizza labels, and discarded posters. After a decade of using found images, a middle-aged reservoir of despair compelled her to make paintings concerned with comfort, love, and death. These works were primarily based on observation and imagination. “The Nipple I Never Knew,” ” Scar Tissue of Lies,” and~Alphabet of Despair,” as well as small canvases based on the flora collected and drawn from life at her grave site comprise her next exhibition at P.P.O.W. Gallery.
Katharine’s work has been exhibited in numerous group shows in the U.S. and abroad including Paris, Rome, Tokyo, Stockholm, London, and Amsterdam. She has had fourteen solo exhibitions, including seven at P.P.O.W. Gallery in New York, which represents her work. Most recently, her work has been exhibited in several museum shows: “Homestyle: A Survey of Works on Paper” at the South Bend Regional Museum in South Bend, IN, “Low Road” at the Delaware Center for Contemporary Art Museum in Wilmington, DE, “The World Brought Low,” a project at the Contemporary Art Museum in St. Louis, MO, “Super Bowl Sunday” at the St. Louis A11 Museum in St. Louis, MO, and “The Female Gaze – Women Artists Making Their World” at the Pennsylvania Academy of Fine Arts in Philadelphia, PA.
Katharine Kuharic’s work has been reviewed in Terna Celeste magazine, the Village Voice, the New York Times, the St. Louis Post Dispatch, and Time Out magazine. Articles on her work have appeared in Out magazine, Parkett magazine, and Arts magazine. Her work was a featured project for Bomb magazine. Her work has appeared on the cover of Jane DeLynn’s novel leash. Her book One Leaf Fell (illustrated by her alter ego, Minerva Mcintyre) was published by Stewart, Tabori, and Chang, and used as advertisements, billboards, and posters for the UCLA Gendered Transnationalism Conference in Los Angeles, CA.
Katharine Kuharic has received grants from Vogelstein Foundation, the Penny McCall Foundation, Art Matters, and the New York Foundation for the Arts. She was named the Milton and Sally Avery Fellow for 2003 and 2004 at the MacDowell Colony in Peterborough, NH, and a Rockefeller Fellow at the Rockefeller Foundation Study and Conference Center in Bellagio, Lake Como, Italy.
She has taught at Yale University School of Art, Yale, Norfolk, The New School, and the School of Visual Arts, and was Associate Professor and Coordinator of Painting at Washington University in St. Louis, MO. She has served on a number of panels and has lectured extensively at universities and museums: the Brooklyn Museum of Art, the St. Louis Museum of Art, Yale University, Columbia University, NYU, the Core Program at the Glassell School of Arts, the Hartford School of Arts, Otis, and the University of Notre Dame.
Katharine Kuharic is known as a demanding, insightful teacher and has been awarded with the Dean’s Scholarly Achievement Aware and the The Class of 1962 Excellence in Teaching Award at Hamilton College.
RECENT SHOWS
February 2022
Felix Art Fair, PPOW booth , Roosevelt Hotel , LA , CA
March 2020
Untitled Art Fair, NY, NY
April 2020
Huxley Parlour Gallery, London England
ESSAYS
The “Unsolicited Images” of Katharine Kuharic by Gordon Dearborn Wilkins
Nerve Endings by Keith Recker
Payback of Painting Can be a Beautiful Thing by Terry R. Myers
Hyperbolic Realism by David Humphrey
NEWS & ARTICLES
Katharine Kuharic: 2018 Richard Diebenkorn Teaching Fellow (San Francisco Art Institute)
Highlights from the Armory Show 2015 by Whitewall Magazine
13 Artists You Should Fall In Love With This Spring by Huffington Post
C.V. | RESUME
Born in South Bend, IN 1962
EDUCATION
1985 School of Visual Arts, New York, NY
1984 Carnegie Mellon University, Pittsburgh, PA
SOLO EXHIBITIONS
2016 “The Conference of Birds, A New Exhibit”, Shirley Fiterman Art Center
2016 “Small Scale” Philip Slein Gallery, St.Louis, MO
2016 “Tight Ass Drawings “curated by Brett Reichman at CB1 Gallery, Los Angeles, CA
2016 “The Nipple I Never Knew” at PPOW Gallery
2016 What Women Lost, performance painting of all Presidents of the United States with proceeds going to the Brady Campaign Against Gun Violence,
P·P·O·W, New York, NY
2015 Gone to Ground, Art Residency Festival, Residency 10, Gyeonggi Creation Center, Gunsun, South Korea
Masque of Mercy, Philip Slein Gallery, St. Louis, MO
2012 “As American As”: a project in conjunction with P.P.O. W. Gallery to fund my own SuperPac which resulted in the creation and sale of twenty works of art. Attendance at two senate swearing in ceremonies in Washington, DC.
2012 Working in the Lou, Bruno David Gallery, St. Louis, MO
2011 Pound of Flesh, P·P·O·W, New York, NY
2008 Unsolicited, McCarthy Gallery, St. Michael’s College, Colchester VT
2007 Winner Takes All, Solway Jones Gallery, Los Angeles, CA
Homestyle: A Survey of Works on Paper, South Bend Regional Museum of Art, South Bend, IN
2006 The Low Road, Delaware Center for the Contemporary Arts, Wilmington, DE
2005 The World Brought Low, St. Louis MO, Contemporary Museum, St. Louis, MO
2004 Throb, P·P·O·W, New York, NY
2000 P·P·O·W, New York, NY
1997 Show Quality Bitches, P·P·O·W, New York, NY
1994 P·P·O·W, New York, NY
1993 Amy Lipton Gallery, New York, NY
1991 Berland Hall Gallery, New York, NY
1990 Bess Cutler Gallery, New York, NY
1989 Elizabeth McDonald Gallery, New York, NY
1988 Ernst Alexander Gallery, Washington, DC
GROUP EXHIBITIONS
2022 Felix Art Fair, PPOW booth, Roosevelt Hotel, LA , CA
2020 Huxley Parlour Gallery, London England
2020 Untitled Art Fair, NY, NY
2018 New York Six :Studio Practice and Pedagogy . Richard F. Brush Art Gallery ,St . Lawrence University Canton, NY
2017 Beyond Boundaries: Feminine Forms. Dual –sited exhibition of artworks fro the Linda Lee Alter Collection of Art by Women. Pennsylvania Academy of Art and The William and Ulytendale Scott Study Collection of Works by Women Artisits. Bryn Mawr College
2016 Small Scale, Philip Slein Gallery, St. Louis, MO
Tight Ass Labor Intensive Drawing, curated by Brett Reichman, CB1 Gallery, Los Angeles, CA
The Conference of the Birds, curated by Brenda Zlamany, Shirley Fiterman Art Center, New York, NY
2015 Save our Soul, Gyeonggi Museum of Art, Ansan, South Korea Open Studios, Gyeeongi Creation Center, Daebudo Island, South Korea
Open Studios, Gyeeongi Creation Center, Daebudo Island, South Korea
The Armory Show, P·P·O·W, New York, NY Higher Educa
P.P.O.W. Gallery Armory Exhibition, New York, NY
“Higher Education” curated by Danielle Tegeder, Lehmann College, Bronx, NY; Hamilton College, Clinton, NY
2014 George Tooker, Katharine Kuharic, Peter Blume and Gregory Gillespie, curated by Robert Cozzolino, Pennsylvania Academy of Fine Arts, Philadelphia, PA
Lesbian Herstory Archive Benefit Auction, Alexander Grey Gallery, NY, NY
2013 Consumed: Nourishment and Indulgence, curated by Jacqueline Nathan, Willard Wakelman Museum, Bowling Green Sate, Bowling Green, OH
Texas Contemporary, International Art Fair, P.P.O.W. Gallery, Houston, TX
Gala Benefit, Contemporary Art Museum of Houston, Houston, TX
Trends in Contemporary Drawing, Curated by Sylvia deSwaan, Kirkland Art Center, Clinton, NY
Lesbian Herstory Archive Benefit Auction, Alexander Grey Gallery, NY, NY
Hamilton College Faculty Exhibition, Wellin Museum of Art, Clinton, NY
2012 The Female Gaze: Women Artists Making their World, Pennsylvania Academy of Fine Arts, Philadelphia, PA
2011 International Art Conference, Ford Foundation, New York, NY
Collaborative Drawings of Katharine Kuharic, Jamie Adams, Zolla Lieberman, Chicago, IL
Cinematic Bodies, Zolla-Lieberman Gallery, Chicago, IL
Paris Dream, Collaborative Drawings of Katharine Kuharic, Jamie Adams and Tony Fisher, Philip Slein Gallery, St. Louis, MO
2010 Sacred and Profane, Portsmouth Museum of Fine Art, Portsmouth, NH
2009 Neo Rococo Show, Shore Institute of the Contemporary Arts, Long Branch, NJ
Private (Dis)play, New York Academy of Art, New York, NY
Private (Dis)play, Emerson Gallery,Hamilton College, Clinton, NY
Private (Dis)play, COCA, St. Louis, Missouri
2008 Ultra-Concentrated Joy – Ecstatic Drawings by Contemporary Artists Pier Consagra, Amy Cutler, Katharine Kuharic, Judith Schaechter, & Scott Teplin, curated by Catherine Howe, New York Academy of Art, New York, NY
Privates (Dis)Play: Contemporary Drawings by Jamie Adams, Vincent Desiderio, Julie Heffernan, Katharine Kuharic & Kurt Kauper, COCA St. Louis, MO
Reciprocity, Faculty Student Exhibition, Emerson Gallery Hamilton Gallery, Clinton, NJ
Out of the Dust: Works by Katharine Kuharic, Cindy Tower, Sarah Paulsen, Locust Street Gallery, St. Louis, MO
2007 The Story Goes, McKenzie Fine Art, New York, NY
Art Chicago Contemporary Art Fair, P·P·O·W, Chicago, IL
Homestyle: A Survey of Works on Paper South Bend Regional Museum, South Bend, IN
2006 PULSE Contemporary Art Fair, P·P·O·W, Miami, FL
American Eden, Jenkins Johnson Gallery, New York, NY
Outland: Leslie Kneisel, Katharine Kuharic, Alexis Rockman and Jim Wainscott, Solway Jones, Los Angeles, CA
100% Centennial, Carnegie Mellon University, Regina-Gouger Miller Gallery, Pittsburgh, PA
2005 Bruno David Gallery, St. Louis, MO
2004 Credit Suisse, First Boston, New York, NY
21, P.P.O.W, New York, NY
Democratic Victory 2004, Benefit auction, Ronald Feldman Fine Arts, New York, NY
Benefit Auction, Art in General, New York, NY
Faculty Show, Washington University in St. Louis, St. Louis, MO
Women Only, Eliot Smith Contemporary, St. Louis, MO
Painting Since 1990, The Sheldon, St. Louis, MO
2003 Schmidt’s Picks, Philip Slein Gallery, St. Louis, MO, Philip Slein Gallery, St. Louis, MO
Take Home a Nude, Benefit Auction, New York Academy, New York, NY
2002 SVA Commemorates 9/11 (Faculty show), Art and Observance, School of Visual Arts Museum, NY
Social Landscape, P·P·O·W, New York, NY
Benefit Silent Auction and Gala, White Columns, New York, NY
Bitch School, Longwood Arts Project, P.S.39, Bronx, NY
2001 I Love NY Benefit, P·P·O·W, New York, NY
Instructors Show, Cooper Union, New York, NY
2000 Wine, Women & Wheels, White Columns, New York, NY
nude + narrative, P·P·O·W, New York, NY
The New Museum of Contemporary Art Benefit Show, New York, NY
Wishful Thinking, James Graham & Sons, New York, NY
White Columns Benefit Auction, New York, NY
Take Home a Nude, Benefit Auction, New York Academy, New York, NY
Elbowroom, Shelia Pepe, Julia Kunin, Marilyn Minter, Tredje Sparet, Stockholm, Sweden
Peep Show, Luise Ross Gallery, New York, NY
some WOMEN/PRETTY girls, Florida Atlantic University, Boca Raton, FL
Drawings, James Graham and Sons, New York, NY.
1996 Annual Summer Watercolor Exhibition, New York, NY
Screen Memories, K & E Gallery, New York, NY
Anima Munda, James Graham & Sons, New York, NY
White Columns Benefit Exhibition, White Columns, New York, NY
1995 Bodies Terrestrial, curated by Christopher Sweet, Zoller Gallery, The Pennsylvania State University, University Park, PA
On the Brink 1900-2000: The Turning of Two Centuries, Galerie St. Etienne, New York, NY
1994 The Obscure Object of Desire, exhibition and panel discussion curated and moderated by Dan Cameron, organized by Marilla Palmer, Four Walls, Brooklyn, NY
Page 5, 450 Broadway, New York, NY
White Columns Benefit Exhibition, White Columns, New York, NY
Fallen Idylls: American Figurative Painting, Art Miami ‘94, Miami, FL. Travelling to Martin County Center for the Arts, Stuart, FL
1993 Cadavre Exquis, The Drawing Center, New York, NY
Littlejohn-Sternau Gallery, New York, NY
Tom Cugliani Gallery, New York, NY
The New Museum of Contemporary Art Benefit Show, New York, NY
The Anti-Masculine, Kim Light Gallery, Los Angeles, CA
1992 Fall, Amy Lipton Gallery, New York, NY
Shapeshifters, Amy Lipton Gallery, New York, NY
Nature Fabrilis, Steibel Modern Gallery, New York, NY
White Columns Benefit Show, New York, NY
1991-92 FIAR Inc. The Fiar International Prize, Milan, Italy; Rome, Italy; Paris, France; London, England; New York, NY; Los Angeles, CA (catalogue)
1991 New Generations, New York, Carnegie Mellon University, Pittsburgh, PA (catalogue)
Drawing Time, Snug Harbor Cultural Center, Staten Island, NY (catalogue)
Humor, Satire and Irony: Definitions and Discoveries, Krasdale Food Corp., Lehman College Art Gallery, Bronx, NY
Menagerie, General Electric, curated by the Museum of Modern Art, New York, NY
Dumb Animal, White Columns, NY
Althea Viafora, New York, NY
White Columns Benefit Show, New York, NY
1989 Bess Cutler Gallery, New York, NY
Small and Stellar, Ruth Siegel Gallery, New York, NY
Surrealismo, Mendelson Gallery, Pittsburgh, PA
Vulgar Realism, Hallwalls Gallery, Buffalo, NY
Soho Center for Visual Artists, New York, NY
1988 Ten Painters, White Columns, New York, NY
1986 Retroactive, Hallwalls Gallery, Buffalo, NY (catalogue)
Gallery Show, Exit Art, New York, NY
1984 Wet Paint, Forbes Gallery, Pittsburgh, PA
Mattress Factory, Pittsburgh, PA
1983 Prospective Artists, Pittsburgh Plan for Art, Pittsburgh, PA
25 Under 25, Southern Alleghanies Museum of Art, Johnstown, P
GRANTS AND AWARDS
2018 Richard Diebenkorn Teaching Fellowship, San Francisco Art Institute , San Francisco, CA
2005 Rockefeller Fellow, Rockefeller Foundation, Study and Conference Center, Bellagio, Lake Como, Italy
Project Space Grant, Contemporary Museum, Saint Louis, MO
2004 Kenneth and Nancy Kranzberg Foundation, St. Louis, MO
Milton and Sally Avery Fellow, MacDowell Colony, Milton and Sally Avery Arts Foundation
2003 Milton and Sally Avery Fellow, MacDowell Colony, Milton and Sally Avery Arts Foundation
2002 NY Arts Recovery Fund, Grant Awards – NY Foundation for the Arts
College Art Association, Fellowship grant
1999 Penny McCall Foundation
1991 FIAR International Prize
1990 Art Matters, Incorporated
1988 Ludwig Vogelstein Foundation
1983 Ellis Award, Carnegie Mellon University
RESIDENCIES
2023 Emily Harvey Residency, Venice, Italy
2019 Headlands Center for the Arts, Sausalito, CA
2018 Headlands Center for the Arts, Sausalito, CA
2015 Gyeonggi Creation Center, Artist Residency, Gunsun, South Korea
2005 Rockefeller Foundation Study and Conference Center, Bellagio, Lake Como, Italy
2003 MacDowell Colony, Artist Residency, Peterborough, NH
PUBLISHED WORKS AND ILLUSTRATIONS
2023 Essay “ Three Works at the Carnegie Museum”, Table Magazine , “How to Pittsburgh “edition
2012 Essay, “Yellow” International Color Issue, Hand/Eye Magazine
2006 Catalogue Essay, Joan Hall, Bruno David Gallery, St. Louis, MO
2005 UCLA Gendered Transnationalism Conference (posters, billboards and bus advertisements)
2002 Jane DeLynn. Cover, Leash. Semiotexte, MIT PRESS.
1992 Book illustrated by Katharine Kuharic. One Leaf Fell, Stewart Tabori and Chang.
Project Pages, Bomb magazine
UNDERGRADUATE AND GRADUATE TEACHING EXPERIENCE
2007 Kevin Kennedy Associate Professor, Hamilton College, Clinton, NJ
2007 Critic and artist in Residence, Yale University School of Art, Norfolk, CT
2006 Coordinator, Painting Department, Associate Professor of Painting, Washington University in St. Louis, St. Louis, MO
2004 – 2006 Coordinator, Painting Department, Assistant Professor of Painting, Washington University in St. Louis, St. Louis, MO
2004 – 2005 Visiting Assistant Professor of Painting, Yale University School of Art, New Haven, CT
2004 Assistant Professor of Painting, Washington University in St. Louis, MO
2002 – 2004 Lecturer in Painting, Washington University in St. Louis, MO
2000 – 2002 Instructor, School of Visual Arts, New York, NY
1993 – 1999 Graduate Thesis Advisor, School of Visual Arts, New York, NY
1998 – 2002 Adjunct Professor, The New School, New York, NY
1995 – 1997 Adjunct Professor, Parsons School of Design, New York, NY
EXTERNAL REVIEWER
2023 Temple University, Philadelphia, PA
2016 Lewis and Clark College, Portland , Oregon
2014 Art Program Review, Weslyan University, Hartford, CT
ACADEMIC AWARDS
2022 The Dean’s Scholarly Career Achievement Award
2012 The Dean’s Scholarly Achievement Award for a Notable Year, Hamilton College, Clinton, NY
2008 The Class of 1962 Teaching Award, Hamilton College, Clinton, NY
VISITING ARTISTS & LECTURER
San Francisco Art Institute, San Francisco, CA
Brookhaven College, Dallas, TX
Southern Illinois University, Edwardsville, IL
Yale University School of Art, Yale Norfolk, Artist in Residence, Critic, Norfolk, CT
Indiana University, Bloomington, IN
Art Center, Pasadena, CA
Ethical Society, St. Louis, MO
University of Notre Dame, South Bend, IN
Queens College, New York, NY
Rockefeller Foundation Study and Conference Center, Bellagio, Lake Como, Italy
Southern Illinois University, Carbondale, IL
Yale University, New Haven, CT
Saint Louis Art Museum, Saint Louis, MO
Columbia University, New York, NY
Washington University in Saint Louis, Saint Louis, MO
Glassel School of Art, Houston, TX
Idaho State University, Pocatello, ID
Hartford School of Art, University of Hartford, West Hartford, CT
New York University, New York, NY
New York Academy of Art, New York, NY
Otis School of Art, Los Angeles, CA
School of Visual Arts, New York, NY
Brooklyn Museum of Art, Brooklyn, NY
University of Missouri in St. Louis, St. Louis, MO
Contemporary Museum, St. Louis, MO
PANELIST
Kennedy Center for Theatre and The Studio Arts, Hamilton College, Clinton, NY “Higher Education,”
Contemporary Painting Panel with Danielle Tegeder and Carl Ostendarp
Kirkland Art Center, Trends in Contemporary Drawing panel, moderated by Sylvia deSwaan, Clinton, NY
BRIO (Bronx Rewards Its Own) Council on the Arts Award, Bronx, NY
Four Walls, Brooklyn, NY
Snug Harbor, Staten Island, NY
Kennedy Center for Theatre and The Studio Arts, Hamilton College, Clinton, NY “A Place for Art,” moderated by Tracy Adler and Mary Schmidt Campbell
COMMITTEES AND BOARDS
Art in General, Venice Biennale Committee, Latvian Pavillion, Venice Italy & NY, NY
NOMINATIONS
American Academy of Arts and Letters Award
Joan Mitchell Award
Joan Mitchell Award
Louis Comfort Tiffany Award
Louis Comfort Tiffany Award
SELECTED BIBLIOGRAPHY
2016 Critic’s Picks Reviewed Tight Ass Drawing CB1 Gallery, Los Angeles Times Cap, Max King, Review of Tight Ass Drawing at CB1 Gallery, Artillery Magazine
2015 “Gone to Ground” catalogue essay by Yune Choi
Art Residency Festival
“Save our Soul” catalogue essay by Minji Kan , Gyeeongi Museum of Art
“13 Artists You should fall in love with this spring” ,March 12,2015
Katherine Brooks
Huffington Post
Riverfront Times , review and full page reproduction of exhibition “Masque of Mercy” ,Philip Slein Gallery , St Louis , Mo
Jessica Baran
2013 Nathan, Jacqueline, Essay, catalogue. “Consumed: Nourishment and Indulgence,” Willard Wakelman Museum, Bowling Green State University, Bowling Green, OH
deSwaan, Sylvia, Essay, Trends in Contemporary Drawing Exhibition, Kirkland Art Center, Clinton, NY
Wilkins, Gordon Dearborn, Essay, Faculty Exhibition, Wellin Museum of Art, Clinton, NY
2012 Meyers, Terry, “The Payback of a Painting can be a Beautiful Thing” Essay for Pound of Flesh Exhibition Catalogue, P.P.O.W. Gallery, NY, NY
Review of “Pound of Flesh,” P.P.O.W. Gallery,Time Out New York
2011 Hand/Eye Magazine, Edition 06, October 2011, Global Color
Russell, Christopher, Studio Visit- New York, Interview, Artillery magazine, Issue Number 5, May June
2007 Gillespie, Evan, Harsh and Amiable, review of Homestyle: A Survey of Work on Paper by Katharine Kuharic, South Bend Tribune, April 1, 2007.
Moran, Laura, Upcoming Art Events-Homestyle Arts Everywhere Magazine, Spring 2007
(reproduction).
Frackiewicz, Dorota, Dzikie Wisne Kultura Popularna W Tworczosci Katharine Kuharic, Wild Cherries. Popular Culture in the Art of, Katharine Kuharic, (multiple reproductions), article in Polish from the journal Sztukaifilozofia, Uniwersytet Warszawski Instytut Filozogii.
Bonetti, David, Technology takes the personal out of personal Expression, St Louis Post – Dispatch, April 22, 2007, (reproduction)
2005 Bonetti, David, review of Bruno David exhibition, St. Louis Post-Dispatch, Nov 8, 2005.
Dischinger, Mark, Superfantastic Four, review of Contemporary Art Museum exhibition, Riverfront Times, March 16-22, 2005. pg. 29.
On the Road: Art Museums, Kansas City Star, May 26, 2005.
SH Magazine, June 2005.
Bonetti, David, review of The World Brought Low, St. Louis Post-Dispatch. April 3, 2005. (http://www.stltoday.com/stltoday/entertainment/reviews.nsf/art/story/FAE41F381B36841C86256FD700053AAC?OpenDocument)
Cox, Joshua, A Look At New Art, Playback Magazine, Philip Slein Gallery, St. Louis, MO.
Clark, Robin, Museum Magazine, April 3, 2005. St. Louis Art Museum, MO.
Bonetti, David. Lecture at the St. Louis Art Museum, St. Louis Post-Dispatch.
2004 Levin, Kim, review of THROB, The Village Voice, June 9-15, 2004. pg. 85.
THROB, full color catalogue, contains essays by David Humphrey and Keith Recker, and an excerpt from the novel Leash (Semiotext/MIT Press 2002) by Jane DeLynn, P·P·O·W.
Bonetti, David, review of Women Only at Eliot Smith Contemporary. St. Louis Post-Dispatch, May 9, 2004.
2003 Bonetti, David. Slein Gallery Show is Heavy with Allegorical Paintings. St. Louis
Post-Dispatch, Nov. 2, 2003. pg. C8 (reproduction)
Bonetti, David. Schmidt’s Picks: A New Look at Contemporary Art in St. Louis Since 1990. St. Louis Post-Dispatch, Dec 7, 2003. pg B10
Zapf, Rudy. Kuharic’s Super-Clear Tilt. Playback. December 2003. pg 23, 29 (reproductions)
2001 Artsy Magazine, review with images reproduced.
2000 Village Voice, Kim Levin, review Wine, Women and Wheels
1999 Parkette Magazine, interview with Andrea Rosen
1999 “L’ Arte conceptuale e un losco affare che ha succeso se umilia la pittura.” Tema Celeste, October-December 1999, pg. 69
1998 Out, February 1998, pg.48, (reproduction).
Halle, Howard, Time Out, July 23, 1998. Issue 147.
Cotter, Holland, “Peep Show,” review, New York Times, July 10, 1998.
Faulds, Rod, “some WOMEN/PRETTY girls,” brochure, The Schmidt Center Gallery, Florida Atlantic University.
Arning, Bill. “Sexuality in Contested Space,” essay in brochure for “Elbowroom,” Tredje Sparet, Stockholm, Sweden.
Van der Heeg, Erik, “Elbowroom,” essay in brochure for “Elbowroom,” Tredje Sparet, Stockholm, Sweden.
“Elbowroom,” review, Afton Bladet, July 18, 1998. Stockholm, Sweden.
“Elbowroom,” review, QX, August 1998, Stockholm, Sweden
Hellberg, Susanna, “Stockholms Tip Set,” Dag DN, Stockholm, Sweden
1997 Arning, Bill, Review, Time Out, May 15 – 22, 1997. pg. 46 (reproduction).
1995 Goldberg, Vicki, “1890’s or 1900’s, the Visions Are of an Apocalypse Soon,” The New York Times, May 14, 1995. Section 2.
1994 Sweet, Christopher, “Fallen Idylls: American Figurative Painting,” brochure with color reproduction, published by Art Miami 1994.
1992 Cameron, Dan. FIAR International Prize 1991-93, catalogue essay.
Cotter, Holland. “Nature Fabrilis,” The New York Times, July 3, 1992.
Bomb, Summer 1992. (illustrated)
Faust, Gretchen. Review, Arts Magazine, April, 1992.
Levin, Kim and Elaine King. “New Generations, New York,” catalogue essay, Carnegie Mellon, Pittsburgh, PA.
Georgia, Olivia. Catalogue, “Drawing Time,” Snug Harbor Cultural Center, Staten Island, NY.
1988 Gilbard, Florence. “Kuharic’s Theft,” Museum Arts Magazine, December 1988.
Sax, George. “Bemused Alienations,” The Buffalo News, October 3, 1988.
1986 Howe, Catherine. “Retroactive,” catalogue essay, Hallwalls Gallery, Buffalo, NY.